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NEW QUESTION: 1
Dynamics 365 for Finance and Operationsの新しいインスタンスをセットアップします。
IT部門は、一意の識別子を使用して、新しい機器の要求を追跡する必要があります。規制要件により、一意の識別子に欠損値があってはなりません。組織内の全員が一意の識別子を使用して要求を作成します。
一意の識別子を確立する必要があります。
どのアプリケーション機能を使用する必要がありますか？答えるには、回答エリアのパラメータに一致するアプリケーション機能を選択します。
注：それぞれの正しい選択には1ポイントの価値があります。

Answer:
Explanation:

Reference:
https://docs.microsoft.com/en-us/dynamics365/unified-operations/fin-and-ops/organization-administration/number-sequence-overview

NEW QUESTION: 2
Which options are filtering options used to display SDEE message types? (Choose two.)
A. none
B. error
C. stop
D. all
Answer: B,D
Explanation:
SDEE Messages
+ All -- SDEE error, status, and alert messages are shown.
+ Error -- Only SDEE error messages are shown.
+ Status -- Only SDEE status messages are shown.
+ Alerts -- Only SDEE alert messages are shown.
Source: http://www.cisco.com/c/en/us/td/docs/routers/access/cisco_router_and_security_device_manager/24/ software/user/guide/IPS.html#wp1083698

NEW QUESTION: 3
Art is visible. However, everything one sees is filtered through certain conditions, some of them historical, and others, natural. The historical conditions include the material, which is used - oil, colors, and the canvas; second, a certain style, i.e., a system of rules by which things visible are submitted a priori. There can be a general style, for example, the style of Impressionism, or a particular style, for example, the individual ways in which two painters, both impressionists, paint. The natural conditions include certain unchanging psychological laws of sight, for instance, the effects of colors or optical illusions.
The conditions of art are nothing but a particular way of interpreting reality. To understand this, one can examine the difference between the classical Greek and the classical Egyptian styles. For the Greeks, the reality of the visible was given by the perspective and the situation in which the object appears; for that reason, they presented a person in his individual movements. For the Egyptians, however, this was only the appearance of a transitory moment, which, according to their beliefs, was not real. Therefore, the Egyptians searched for the permanent essence and the typical character in their depiction of an object. For the Egyptians, Greek art was an illusion; for the Greeks, on the other hand, Egyptian art was unrealistic constructivism.
The way in which reality appears in art must not be regarded on its own. It is affected by many other systems of recognizing reality, including the political, religious, economic, intellectual, and social - in short, all the phenomena of human life. Moreover, art is always of a certain epoch, with its particular conception of reality. Thus, when discussing, for example, the art of ancient myth, of medieval Christianity, or that of the technological age, one must be aware that myth, Christianity, or technology was the most salient feature of the epoch.
It is paradoxical to understand art as some kind of copy of the fields of experience connected with it. So, for example, it is meaningless for the work of art as such if one compares the landscape of a painting with the landscape, which served the artist as his model. Even if the artist had tried to make what he painted as similar as possible to the model he used, the landscape which he saw is only the matter from which something completely different emerges since he has submitted its view to the a priori conditions of art:
namely to the material used (colors, canvas, etc.), to his style, and even to the fact that he paints on a flat surface. Thus one must contemplate a work of art by itself. Even if it is connected to other fields of experience it nevertheless displays something unique which appears in that piece of art and there alone.
According to the passage, classical Egyptians did not present a person in his individual movements
A. Because the Greeks believed that the reality of the visible was given by the perspective and the situation in which the object appears
B. Because the Greeks did not believe that the reality of the visible was given by the perspective and the situation in which the object appears
C. Because the Egyptians believed that the reality of the visible was given by the perspective and the situation in which the object appears
D. Because for the Egyptians, Greek art was an illusion.
E. Because the Egyptians did not believe that the reality of the visible was given by the perspective and the situation in which the object appears
Answer: E
Explanation:
Explanation/Reference:
Explanation:
The best answer is D.
The Egyptians believed that the reality of the visible was not given by the perspective and the situation in which the object appears. They thought that this was the appearance of a transitory moment, which was not real.